PAUL WATKINS
Location: Online
Class: Online (VIULearn) and Zoom
Zoom on Thursdays 4-5 pm
Office Hours: Tuesday 3-5 pm on Zoom
(or by appointment)
Email: paul.watkins@viu.ca
“Sound is to people what the sun is to light.”
—Ornette Coleman qtd. in BonnarooMusicFest Interview
This course puts literature, music, and popular culture into conversation with one another. Music provides one formal model of how we can approach the complex interweaving textures and soundings of culture, musical and literary traditions, and current important issues such as the coronavirus pandemic and the Black Lives Matter movement. Not only will we read texts and analyze media, but we will listen to the music found therein. In some ways these texts demand not only to be read, but also heard. The course will include essays, poems, songs, TV, and film, and there are two required texts: Esi Edugyan’s Half-Blood Blues, which is about Americans, Afro-Germans, and Jews playing jazz in Nazi Germany, and Alan Moore’s Watchmen: a graphic novel about superheroes and 1980s anxiety around the cold war. We will also watch some episodes from the recent HBO Watchmen series, available on Crave TV. The course will end with Spike Lee’s 1989 film, Do the Right Thing. Punctuated by the anthemic refrain of Public Enemy’s “Fight the Power,” Do the Right Thing is a landmark in American cinema, and it remains as politically and emotionally charged as ever. Aside from core readings and discussion, the course will include a close reading of a song of your choice, a short mixtape/remix project, and a research paper. Not only will you develop an awareness of the relationship between literature, music, and culture, you will observe how broader struggles for voice, agency, and social justice are integral to a more equitable vision of society. The course will be conducted through video/ audio lecture, email, VIULearn discussion, as well as optional Zoom discussion on Thursdays for most weeks of the course.
Texts:
- Half-Blood Blues by Esi Edugyan
- Watchmen by Alan Moore and Dave Gibbons
- Various Readings and media (most available on VIULearn or the course blog)
- A good style guide, such as The Broadview Pocket Guide to Writing, is recommended.
Free Writing and Citation Guides:
- Nature of Writing (A Canadian site): https://natureofwriting.com/citation/
- Owl, Purdue Online Writing Lab: https://owl.purdue.edu/owl/purdue_owl.html
Evaluation:
Participation (on VIULearn and/or Zoom) 5%
Songs are Poems Too: Close Reading (600-750 words) 15%
Take Home Midterm on Half-Blood Blues (1000 words) 15%
Mixtape, Song, or Remix (with short write-up) 10%
Research Essay (1500-1750 words) 30%
Final Exam 25%
See VIULearn for the full course outline and a breakdown of assignments

Music page for the course: https://pauldbwatkins.com/2022/01/06/engl-125-playlist-spring-2022/
Schedule:
Please note that this schedule is subject to change as the term (especially with the shifting challenges of COVID-19) progresses.
Introduction
Listening: The Talking Heads, “Once in a Lifetime” (1981) and Arundhati Roy, “The Pandemic Is a Portal” and my remix (DJ Techné, “Another World,” Portals, 2020)
Week 1: Intro to the Blues
Reading: Baldwin, “Sonny’s Blues” (VIULearn)
Listening: Listening: Robert Johnson, “Crossroad Blues” (1937) and “Me and the Devil Blues (1928); Louis Armstrong, “What Did I Do to Be So Black and Blue”; Billie Holiday,“Am I Blue”; Bessie Smith, “Devil’s Gonna Git You”; DJ Techné, “Devil’s Gonna Get You”
Jan 13 (Zoom and VIULearn): class Introductions; discussion of “Sonny’s Blues”
Week 2: Half-Blood Blues
Reading: Half-Blood Blues (Part I, pp. 1-16)
Listening: King Oliver, “Riverside Blues”; Oscar Peterson, “Hymn to Freedom”
Home Viewing: Ken Burns, Jazz (“Gumbo,” first 13 mins); available on Films on Demand
Jan 20 (Zoom and VIULearn): Discussion on Half-Blood Blues, part 1
Week 3: Half-Blood Blues
Reading: Half-Blood Blues (part II- III.ii, read until p. 140)
Listening: Edugyan reading; Bessie Smith, “Empty Bed Blues”; Jelly Roll Morton, “Winin’ Boy”
Home Viewing: Ken Burns, Jazz: (The Gift, 1-15:06); (Our Language, 10:50-13:28)
Jan 27 (Zoom and VIULearn): Discussion on Half-Blood Blues
- Berlin Wall coverage
- Burgundy Jazz documentary
- On Sachsenhausen
Week 4: Half-Blood Blues
Reading: Finish Half-Blood Blues
Listening: Louis Armstrong, “West End Blues” and Ella Fitzgerald, “Mack the Knife”
Close Reading of song due
Feb 3 (Zoom and VIULearn): Final Discussion on Half-Blood Blues
Week 5: Bessie and Midterm
Home Viewing: Dee Rees, Bessie (2015)
Take-home midterm on Half-Blood Blues due by Friday, Feb 11 at noon
Feb 10 (VIULearn; No Zoom): Discussion on Bessie
Week 6: Watchmen: Quis Custodiet Ipsos Custodes?
Reading: Watchmen (Chapters 1-3)
Listening: Bob Dylan, “Desolation Row”
Feb 17 (Zoom and VIULearn): Discussion on Watchmen (1-3)
February 21-25: READING WEEK (no classes)
Week 7: Watchmen Con’t
Reading: Watchmen (Chapters 4-7)
Listening: Nina Simone, “Pirate Jenny”; Nat King Cole, “Unforgettable”; Billie Holiday, “You’re my Thrill”
March 3 (Zoom and VIULearn): Discussion on Watchmen (4-7)
Week 8: Watchmen Con’t
Reading: Watchmen (Chapters 8-12) and Jason S. Polley, “Watching the Watchmen, Mediating the Mediators” (VIULearn); See “The Ghost of You: Watchmen and Music”
Listening: Jimi Hendrix, “All Along the Watchtower”; John Cale, “Sanities”
Recommended home viewing: Zack Synder, Watchmen (2009)
March 10 (Zoom and VIULearn): Discussion on Watchmen and film
Week 9: Damon Lindelof, Watchmen (2019)
Home Viewing: Watchmen (HBO), Episode 1 and 6
Reading: Ta-Nehisi Coates, “The Case for Reparations“
Listenings: Oklahoma!, “Poor Jud is Daid”; Eartha Kitt, “Smoke Gets in Your Eyes”; The Ink Spots, “I Don’t Want to Set the World on Fire”
March 19 (Zoom and VIULearn): Discussion on Race, Music, and Watchmen
- Indie Wire, Deep Dive into Episode 6 (Damon Lindelof analyzes “This Extraordinary Being”)
- Watchmen dives into the past in an episode unlike any other in TV history (Vox)
- Tulsa and Oklahoma explained
- Episode 6, Video Breakdown
- Complete Soundtrack
Week 10: It’s Bigger Than Hip Hop
Reading: Hip Hop Lyrics
Additional Reading (on VIULearn): Tricia Rose, Black Noise, “Voices from The Margins”; Henry Louis Gates, Jr., Intro to The Anthology of Rap, Luc Sante, “Beastie Boys Revolution”
Optional Reading: Ed Piskor, Hip Hop Family Tree (VIULearn)
Remix Project Due on March 24
Listenings (choose 5): Grandmaster Flash and the Furious Five, “The Message”; Public Enemy, “Night of the Living Baseheads” and “Fight the Power”; Eric B. & Rakim, “Paid in Full” and “I Know You Got Soul”; Lauryn Hill, “Everything is Everything” and “Doo-Wop (That Thing)”; Queen Latifah, “Ladies First” and “U.N.I.T.Y”; Missy Elliott, “Get Ur Freak On”; MC Lyte, “Cold Rock a Party” and “Lyte as a Rock”; Maestro Fresh Wes, “Nothin’ At All”; War Party, “Feelin’ Reserved”; Snotty Nose Rez Kids, “Son of a Matriarch” and “I Can’t Remember My Name”; Run the Jewels, “Walking in the Snow” and “Just”; Childish Gambino, “This is America”; Anderson .Paak, “Lockdown”; K’naan, “Strugglin’” and “My Old Home”; Nas, “N.Y State of Mind”; Eminem, “Lose Yourself” and “Stan”; Wu-Tang Clan, “C.R.E.A.M”; Aesop Rock, “No Regrets”; dead prez, “Hip-Hop”; Jean Grae, “My Story”; Immortal Technique, “You Never Know”; Atmosphere, “Yesterday”; Fugees, “Killing Me Softly”; Nonname, “Diddy Bop”; M.I.A, “Paper Planes”; Beastie Boys, “Paul Revere” and “Sabotage;” The Roots f/ Erykah Badu, “You Got Me”; Common, “I Used to Love H.E.R.;” Slick Rick, “Children’s Story”; Black Star, “Thieves in the Night”; Macklemore, “Same Love”; Jedi Mind Tricks f/R.A. The Rugged Man, “Uncommon Valor: A Vietnam Story”; Kendrick Lamar, “Alright”; Brother Ali, “Dear Black Son”; Buck 65, “Blood of a Young Wolf”; Shad, “Fam Jam” and “Black Averageness”; Mac Miller, “Good News”; Little Simz, “Woman”
March 24 (Zoom and VIULearn): Optional Sharing of projects and discussion on Hip Hop music
Week 11: Wayde Compton’s DJ Poetics and Hogan’s Alley
Readings: Wayde Compton, “Seven Routes to Hogan’s Alley” and “Turntable Poetry, Mixed Race, and Schizophonophilia” (on VIULearn); poetry pack (on VIULearn)
Home Viewing: “Secret Vancouver: Return to Hogan’s Alley”
Listenings: Charlie Pride, “Is Anybody Going to San Antone”; Kid Koala, “Moon River” (remix); M.I.A., “Borders”; Wayde Compton audio
March 31 (Zoom and VIULearn): Discussion on DJing, Compton, and Hogan’s Alley
- Compton Reading, Halfrican.
- Video: Charlie Pride; Poitier’s Oscar Speech
- See Interview between Compton and Watkins
Week 12: Do the Right Thing
Home Viewing: Spike Lee, Do the Right Thing (1989 | 120 min)
Listening: Public Enemy, “Fight the Power”
Final Paper Due on April 7 by 11:59 pm
April 7 (Zoom and VIULearn): Discussion of Spike Lee’s Do the Right Thing and Exam Review
Featured image for the course is of jazz great Louis Armstrong entertaining neighborhood children on the front porch of his home in Corona, Queens (Louis Armstrong House Museum).