Professor Paul Watkins
Class Hours: 5:30-9:00 pm on Thursdays
“I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.”
Francis Ford Coppola
FILM 101 introduces the study of film as an art form and a medium of cultural communication. Film is a language of ideas and it is images and ideas that excite us when we watch a film in the dark. Students will gain a basic understanding of the technical aspects of film, including cinematography, editing, acting, mise-en-scène, and sound. We will also discuss the cultural impact and politics of film. The course will draw material and concepts from Richard Barsam and Dave Monahan’s Looking at Movies: An Introduction to Film and lectures will include academic context for the various films we will watch from Citizen Kane (1941) to Parasite (201). While the focus is largely on newer American cinema, important films from around the world will inform our discussions.
Content Warning: Some of the content and discussion in this course will necessarily engage with filmic representations of violence and other mature themes.
Note: Given the need to screen films in their entirety, some of our classes will go until 9:00 pm to leave enough time for discussion.
Required Text:
- Looking at Movies: An Introduction to Film by Richard Barsam and Dave Monahan
Free Introductory Film Texts:
- Yale Film Analysis Guide: http://filmanalysis.yctl.org
- Film Reference Guide: https://collegefilmandmediastudies.com
- Walter Murch, “Womb Tone/ Dense Clarity”: https://transom.org/2005/walter-murch/
Evaluation:
- VIU Learn: Film Reflections x 2 (500 words each) 30%
- Quizes 30%
- Annotated Bibliography with Thesis 10%
- Research Essay (1500-1800 words) 30%
See VIULearn for detailed breakdowns of assignments.
Schedule:
Please note that this schedule is subject to change as the term progresses.
Sept 4, Week 1: Intro to Film Studies
Lecture: Intro to the course; Principles of Film Form (video essay)
Screening: Lois Weber, “Suspense” (1913| 10 min) [YouTube or Netflix]
Sept 11, Week 2: Looking at Movies
Reading: “Chapter 1: “Looking at Movies”
Screening: Wes Anderson, The Grand Budapest Hotel (2014 | 100 min) [Criterion on Demand]
Discussion of Reflection Papers
- ‘I stole from Stefan Zweig’: Wes Anderson on the author who inspired his latest movie
- Mise-en-scène: Visual Themes of Wes Anderson
- Anka Muhlstein, His Exile Was Intolerable (On Zweig and Grand Budapest)
- Grand Budapest Görlitz
- 7 Films to Watch Before Seeing Wes Anderson’s The Grand Budapest Hotel
- Wes Anderson’s Cinematic Debt to Stanley Kubrick Revealed in a Side-By-Side Comparison
- Seitz, Anderson’s Influences (2009-video essays)
Sept 18, Week 3: Film Form
Reading: “Chapter 2: Principles of Film Form”
Screening: Bong Joon-ho, Parasite (2019 | 132 min) [Criterion on Demand]
Post-Screening Video Essay on Parasite
Reflection Option on “Suspense” The Grand Budapest Hotel due on VIULearn by 11:59 pm
- Films that Inspired Parasite
- Bong Joon-ho’s favourite films
- Extra Reading: Interview with Bong Joon-ho and “Parasite: Notes from the Underground”
Sept 25, Week 4: Documentary, Experimental, Animated, and Genre
Readings: “Chapter 3: Documentary, Experimental, and Animated Movies” and “Chapter 4: Types of Movies”
Options: Ana Lily Amirpour, A Girl Walks Home Alone at Night (2014 | 101 min) [Kanopy]; or, Greta Gerwig, Barbie (2023 | 114 min) [Crave or Rent]
Reflection Option on Parasite due on VIULearn by 11:59 pm
- BFI on Kubrick
- Special Effects of 2001: A Space Odyssey
- Review of A Girl Walks Home Alone at Night and another review, here.
- Gawker interview with Ana Lily Amirpour
- Another interview with Amirpour
- Mark Kermode reviews A Girl Walks Home Alone At Night
- Behind the Scenes of AGWHAAN
- List: 25 Best Films of the 21st Century directed by women
- On the smallpox remarks in Barbie
Oct 2, Week 5: Narrative
Reading: “Chapter 5: Elements of Narrative”
Screening: Christopher Nolan, Memento (2000 | 113 min) [Prime]
Reflection Option on AGWHAAN or Barbie due on VIULearn by 11:59 pm
- Christopher Nolan on Memento
- Hidden Meaning in Memento
- Everything You Wanted to Know About Memento
- See Nas, “Rewind“
Oct 9, Week 6: Mise-en-scène
Reading: “Chapter 6: Mise-en-Scéne”
Screening: Ryan Coogler, Black Panther(2018 | 134 min) [Disney]
Reflection Option on Memento due on VIULearn by 11:59 pm
- Meet the Director Who Created Black Panther’s Wakanda
- What Would W. E. B. Du Bois Make of Black Panther?
- The Feminism of Black Panther -vs- Wonder Woman
- The Female Gaze: 30 Beautiful Films Shot By Women Cinematographers
- Black Panther Costume Design Breakdown
- Jamil Smith, “The Revolutionary Power of Black Panther“
Oct 16, Week 7: Cinematography
Reading “Chapter 7: Cinematography” and “One Step Ahead: A Conversation with Barry Jenkins” (VIULearn)
Screening: Barry Jenkins, Moonlight (2016 | 111 min) [Criterion on Demand]
Reflection Option on Black Panther due on VIULearn by 11:59 pm
- 25 Films with the Best Cinematography of the 21st Century
- Close-up of Hands of Bresson
- Anatomy of a Scene from Moonlight
- Arab actor on stereotypes and La La Land
- New York Times, Moonlight: Is This the Year’s Best Movie?
- Claire Denis, Beau Travail, “Rhythm of the Night” (ending)
- The Black Film Canon (video)
- Moonlight and Wong Kar-wai
- Under the Influence: Jenkins on Wong Kar-wai
Oct 23, Week 8: Acting
Reading: “Chapter 8: Acting”
Screening: Yorgos Lanthimos, The Favourite (2018 | 120 min) [Criterion on Demand]
Reflection Option on Moonlight due on VIULearn by 11:59 pm
- The Favourite Is a Deliciously Nasty Satire
Oct 30, Week 9: Editing
Reading: “Chapter 9: Editing”
Screening: Alfred Hitchcock, Psycho (1960 | 109 min) [Audio Cine Films]
Reflection Option on The Favourite due on VIULearn by 11:59 pm
- 1960/1998 Shower Scene Comparison
- Documentary, 78/52 Clips: Clip 1; Clip 2; Clip 3
Nov 6, Week 10: Quiz and Workshop
Quiz 1, Chapters 1—9 and primary films (5:30-6)
Workshop (6:15-7:15)
Annotated Bibliography is due on VIULearn by 11:59 pm
Reflection Option on Psycho is due on VIULearn by Nov 7 at 11:59 pm
Nov 10-14, Week 11: Reading Week (no class)
Nov 20, Week 12: Sound
Reading: “Chapter 10: Sound”
Screening: Darius Marder, Sound of Metal (2019 | 120 min) [Criterion on Demand]
Nov 27, Week 13: History
Reading: “Chapter 10: Film History”
Screening: Orson Welles, Citizen Kane (1941 | 119 min) [Prime]
Final Reflection Option on Sound of Metal is due on VIULearn by 11:59 pm
Dec 4, Week 14: Final Quiz and Chapter 3 Film: Documentary or Animated
Quiz 2: Chapters 10 and 11, and primary films (5:30-5:45)
Options (VOTE): multiple directors, Spider-Man: Into the Spider-Verse (2018 | 117 min), Hayao Miyazaki, Spirited Away (2001 | 125 min), or, multiple directors, Yintah (2024 | 125 min)
Research Essay due on VIULearn on Dec 5 by 11:59 pm
