Reproduction—the debut novel from Ian Williams—is an inventive multi-generational saga that pushes the limits of narrative and language. The novel explores the ways families are bonded, whether by blood, story, or choice. Its size, encyclopedic knowledge, Biblical intertextuality, and peregrination through the complicated genealogy of family (from the cycle of birth, life, and death) recall Steinbeck’s East of Eden, but in language and style it is closer to the work of Zadie Smith and the late David Foster Wallace. Fitting the cyclical nature of life and the seasons, the novel is told in four sections (with an interlude between them titled “The Sex Talk”), moving from Toronto in the late seventies to the mid-nineties, and finally to the present. Before the narrative proper, we encounter an upwards-moving genealogy that begins with “before” and then seven epigraphs. The genealogy—devoid of names, with representative sex chromosomes in their place—and the epigraphs, ranging from Margaret Atwood to Genesis, speak to Williams’ awareness that both he, as author, and his characters are part of an inherited chain of stories.
Click here to read my full review at Canadian Literature.