Shane Rhodes’s stunning sixth collection of poetry, Dead White Men, repurposes settler texts with pioneering deftness (words cascade, fonts change, statues silhouette, language obliterates), using poetry to critically interrogate the Eurocentrism found in many foundational settler texts. While the names of many dead white men have faded in the annals of history, their mythopoeic justifications for colonization remain woven into the fabric of Euro-American society. Stories shape our beliefs and ethics, and so there’s good reason to go back to colonial origin stories, especially given the cultural amnesia around them. As Rhodes explains in the Notes section, “I was interested in looking to these past stories (especially those focused on North America and the South Pacific), not to add to the fictions of past white heroism but to better understand the problematic relationship between the stories, the mythologies they have become, and the lands and peoples they describe.”
You can read my full review over at The Malahat Review, here.
Katherena Vermette’s The Break is a devastatingly beautiful novel that depicts the bonds between the women of an extended Indigenous family. With warp and weft, Vermette weaves together the voices of numerous intergenerational women to tell their personal stories as they deal with the enduring after-effects of trauma. The prose is sparse, yet dense (“Stella blinks a tear”), as the narrative takes a bare-knuckles approach to cut a jagged truth. Like her stunning poetic debut, North End Love Songs (2012), The Break deftly crafts Vermette’s complex relationship to Winnipeg’s North End. A surface reading concerns the mystery surrounding the sexual assault of a thirteen-year-old Métis girl vis-à-vis the police procedural that unfolds as a result of the crime: “Aboriginal female. Blood loss. Signs of sexual assault.” But the novel is far more complex than this, using numerous viewpoints to reveal the complicated sociopolitical conditions that produce violence and racism, and that cause harm to people, especially women, in Indigenous communities.
Click here to read my full review at Canadian Literature.