Category Archives: Indigenous

A Review of Shane Rhodes’s Dead White Men

Shane Rhodes’s stunning sixth collection of poetry, Dead White Men, repurposes settler texts with pioneering deftness (words cascade, fonts change, statues silhouette, language obliterates), using poetry to critically interrogate the Eurocentrism found in many foundational settler texts. While the names of many dead white men have faded in the annals of history, their mythopoeic justifications for colonization remain woven into the fabric of Euro-American society. Stories shape our beliefs and ethics, and so there’s good reason to go back to colonial origin stories, especially given the cultural amnesia around them. As Rhodes explains in the Notes section, “I was interested in looking to these past stories (especially those focused on North America and the South Pacific), not to add to the fictions of past white heroism but to better understand the problematic relationship between the stories, the mythologies they have become, and the lands and peoples they describe.”

You can read my full review over at The Malahat Review, here.

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Intercultural Hip Hop Panel: “Telling Your Story”

Thursday, November 9 at 2:30 pm – 4 pm
Vancouver Island University, Nanaimo: B305/R507 (Library Boardroom – Top Floor)

Come check out this amazing Intercultural Hip Hop panel that I am moderating on Thursday, November 9th, as part of VIU’s inaugural Intercultural Hip Hop Forum.

The panel is centred on the theme of “Telling Your Story,” and I will ask this diverse panel of hip hop artists to speak about their personal journeys in finding their voice through hip hop, as well as how their art connects with culture, community, and personal identity.

It features three remarkable artists:

Ndidi Cascade is a Vancouver-based hip hop artist of Nigerian-Italian-Irish-Canadian heritage. A talented songwriter, vocalist, and educator Ndidi has showcased her music across North America and internationally– from classrooms to stadiums. Ndidi facilitates youth empowerment workshops that use hip hop, spoken word, and dance as a medium for healthy self-expression.

Mo Moshiri has lived in four countries, was a refugee at age 3, and a Canadian citizen by age 19. He speaks English, Farsi, and German and is a member of Sweatshop Union, a BC-based conscious hip hop collective that has produced six albums, won two Western Canadian Music Awards, and earned multiple Juno nominations.

Ostwelve is a veteran emcee, youth facilitator, and actor from the Stō:lo Nation. He is widely-known for his role as “Red” in the APTN/Showcase series “Moccasin Flats.” As an emcee, he is a leader and a mentor to many in the Indigenous hip hop scene. He has opened for major acts such as K’Naan, Guru, and Snoop Dogg.

And on Friday, Nov. 3rd, Montreal’s multilingual soul-jazz global hip hop super group Nomadic Massive will be performing at a “Pre-Party” at the Old City Station Pub. Get tickets, here.

For a complete list of events, please visit the WorldVIU Days website.

 

New English Courses at VIU Explore Diverse Ethnic and Cultural Perspectives

Courses are open to the community through the University’s Love of Learning program

VIU’s English Department is pleased to present three new courses next semester that examine literature from a variety of non-traditional perspectives and mediums. From reconciliation, to post-colonial Caribbean lifestyles and cultures, to the quest for unforgettable journeys, these new courses incorporate a diverse range of perspectives and writing styles, and question people’s assumptions about literature and art.

In a rare and unique opportunity for students and community members, English 332: Topics in Indigenous Literatures will include class visits and public readings from some of the authors studied in class, including Eden Robinson, whose novel Monkey Beach won the BC Book Prize’s Ethel Wilson Fiction Prize. While many of the stories deal with the lasting effects of Canada’s colonial past, they are also about healing, reconciliation and hope. Dr. Paul Watkins will explore these stories through several mediums, including fiction, poetry, art, comics, film and music, and students will participate in a creative intervention project.

“The hope is to open up spaces that challenge the colonization that affects us all, whether we are aware of it or not,” says Watkins.

As students read, watch and listen, they will also Tweet with the hashtag #ENGL332. The readings are sponsored by VIU’s Faculty of Arts and Humanities, the First Nations Studies Program, the Office of Aboriginal Education and Engagement, and the Canada Council for the Arts.

If you’re itching for a little taste of the Caribbean then maybe English 333: Topics in Post-colonial Literature is your course. From Rihanna and Bob Marley, to the dub poetry of Jean ‘Binta’ Breeze and the magical realism of Junot Diaz, English 333 delves into anti-colonial, post-colonial, feminist and queer perspectives expressed through various mediums, including literature, art, music, film and literary theory.

“The Caribbean is on the move, and it moves me,” says Dr. Melissa Stephens. “I see it as a shape-shifting constellation of people and places, politics and art, feeling and intellect. This course will help you grasp the enduring impact of colonial violence, but also, and most importantly, the work of resistance and liberation.”

Finally, adventure seekers will want to check out English 222: Travels in World Literature, during which Dr. Jeannie Martin examines a range of provoking historical travel writing along with popular contemporary works that highlight journeys in search of the romantic, the pastoral and the picturesque.

“Books about travel and tourism are wildly popular these days, but often unwittingly extend the enterprise of imperialism,” says Martin. “This course raises questions about the ethics of presenting the truth of another place and another culture. In this age of globalization, we passport-carrying privileged, viewing the world through the limited lens of our own cultures and experiences, are not the only travellers. Raising questions about who travels, why we travel, and why we write about our travels encourages us to form more complex relationships with other peoples, places and cultures.”

These courses are open to the general public via VIU’s Love of Learning program, which allows community members to take an academic course without the stress of exams or assignments at a discounted rate of only $99 per 3-credit course plus ancillary fees. Pre-requisites will be waived for Love of Learning students.

To learn more, visit the VIU English Department news page.

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MEDIA CONTACT:

Jenn McGarrigle, Communications Officer, Vancouver Island University

P: 250.740.6559 | C: 250.619.6860 | E: jenn.mcgarrigle@viu.ca | T: @VIUNews

Wednesday, November 9, 2016 – 1:45pm