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PAUL db WATKINS

PAUL db WATKINS

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        • FILM 101: Introduction to Film Studies (Fall 26)
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        • FILM 201: Film Studies (Genre)
        • ENGL 394 (S26N01): Twin Peaks: Its Influence & Quality TV
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        • FILM 201: Film Studies
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        • Film 101: Introduction to Film Studies
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        • FILM 220 (S23N01): “Pure Cinema,” Voyeurism, and Cinematic Influence
        • ENGL 330: Possible futures: Resistance & Reimagining in Speculative Fiction
      • 2018-2022
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          • ENGL 125 (S22W03) AT THE CROSSROADS: MUSIC, LITERATURE, & POPULAR CULTURE
          • ENGL 125 (S22N05) AT THE CROSSROADS: MUSIC, LITERATURE, & POPULAR CULTURE
          • ENGL 398 (S22N01): “Pure Cinema,” Voyeurism, and Cinematic Influence
          • ENGL 332: Topics in Indigenous Literatures (S22N01)
        • Fall 2021
          • ENGL 115 (F21N06): THE IMPORTANCE OF LANGUAGE AND STORIES IN OUR LIVES
          • ENGL 115 (F21N17): THE IMPORTANCE OF LANGUAGE AND STORIES IN OUR LIVES
        • Spring 2021
          • FILM 220 (S21N01): “Pure Cinema,” Voyeurism, and Cinematic Influence
          • ENGL 332: Topics in Indigenous Literatures (S21N01)
        • Fall 2020
          • ENGL 115 (F20D02): THE IMPORTANCE OF LANGUAGE AND STORIES IN OUR LIVES
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Category: Wikipedia

November 21, 2014February 1, 2015 pauldbwatkins History, Wikipedia

New Wikipedia page on Rockhead’s Paradise

A page I created for Rockhead’s Paradise on Wikipedia is now live. I felt I should create one since there surprisingly was not one for Rufus or his legendary club.

Take a look and please do add to the page. I’m still looking for a public commons image for the club.

Featured Image by David Foisy and Brendan Tully Walsh (2010).

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What a revelation and beauty Charanjit Singh’s 𝕊𝕪𝕟𝕥𝕙𝕖𝕤𝕚𝕫𝕚𝕟𝕘: 𝕋𝕖𝕟 ℝ𝕒𝕘𝕒𝕤 𝕥𝕠 𝕒 𝔻𝕚𝕤𝕔𝕠 𝔹𝕖𝕒𝕥 is, and I’m happy to finally have a vinyl copy (on shimmering pearlescent wax, too!). Singh’s album pairs Indian classical ragas with Roland synthesizers and drum machines that sound into the near future, especially since this 1982 recording sounds remarkably close to what would be called acid house several years later in Chicago. Tom Waits and Massive Attack making an anti-fascist/anti-ICE/anti-war song wasn’t on my 2026 bingo card, but damn, what a treasure this blunt, gruffly poetic track is. Back to teaching and needed a little boost this morning, so I went with Caroline Polachek’s 𝔻𝕖𝕤𝕚𝕣𝕖, 𝕀 𝕎𝕒𝕟𝕥 𝕥𝕠 𝕋𝕦𝕣𝕟 𝕀𝕟𝕥𝕠 𝕐𝕠𝕦. It’s an intoxicating listen. Soaking in the last bit of summer (back to work and school tomorrow) with a classic spin from Buena Vista Social Club that takes me back to Cuba. Today, we’re seeing “Weird Al” Yankovic on his Bigger & Weirder tour. My dad took me and my brother to see him in the ’90s, so it feels very full circle to be taking my 9- and 12-year-olds now. 50 years ago, in August 1976, one of the greatest dub albums of all time, 𝕊𝕦𝕡𝕖𝕣 𝔸𝕡𝕖, was released. It was produced and engineered by the one and only Lee “Scratch” Perry and credited to his studio band, the Upsetters. Truly, a a stellar dub album. This copy is an original 1976 UK pressing that I picked up around 17 or so years ago for about $25. A few weeks back, I saw a post that listed artists who consistently release 7/10 albums. Jungle was on the list. Some of the albums and groups didn’t make as much sense, but Jungle does. Sometimes you just want to throw on something that sounds good and doesn’t overly challenge you. The latest from Jungle—𝕊𝕦𝕟𝕤𝕙𝕚𝕟𝕖—has been on repeat. IMO, it’s perfect summer vibes. One of my most anticipated albums, in need of a serious reissue and absent from streaming, has finally arrived on wax. I’m talking about Mos Def / Yasiin Bey / Casa Bey’s 𝕋𝕙𝕖 𝔼𝕔𝕤𝕥𝕒𝕥𝕚𝕔, which is a masterpiece that’s right up there with Black on Both Sides. Sonically and lyrically adventurous, there’s not a dull moment on this one. Anyone else in vinyl land as excited as I am that Aphex Twin’s seminal album 𝔻𝕣𝕦𝕜𝕢𝕤 is being reissued by Warp on wax? I think that’s pretty, pretty, pretty good.

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